Get in Touch With ETC

Seeking a non-equity Assistant Stage Manager for The Children at Ensemble Theatre Company in Santa Barbara. The ASM works closely with the Equity Stage Manager and cast. They assist in setting up the space prior to the start of day and cleaning up at the end of the day. Responsibilities include the tracking of prop/scenic items, generating running paperwork for crew, and being the point person backstage during performances. They are expected to communicate issues to the Stage Manager and be able to supervise the backstage area.

EMC points available. First day of rehearsal is Tuesday, March 7, 2023. The closing performance is on Sunday, April 23, 2023. Typical work week is Tuesday-Sunday with Mondays off. Rehearsal hours tend to be between 9am-6pm. Important Dates listed below.

Interested candidates, please reach out to Elena Cruz, the Associate General Manager, at ecruz@etcsb.org or 805-965-5400 x102.

THE CHILDREN

Director: Jenny Sullivan

Equity Stage Manager: Jessica Haro

Pay: $16-$18/hour (BOE)

First Rehearsal: 3/07/2023

Designer R/T & Publicity Photos: 3/19/2022

Tech 1: 4/1/2023

Tech 2: 4/2/2023

Tech 3: 4/4/2023

Final Dress Rehearsal: 4/5/2023

Previews: 4/6/2023-4/7/2023

Opening: 4/8/2023

Student Matinee: 4/21/2023

Closing: 4/23/2023

Audio Engineer

Part Time/ show by show basis,

Hours are scheduled on an as- needed basis with no set schedule or guarantees with potential overtime

Pay: $25-$30 BOE

The Audio Engineer is part of a team that works in a creative space to make the sound designer’s and music director’s ideas come to life. This position supervises the A2 and oversees the load in, strike, board operation and system maintenance of the Ensemble Theater Company show as assigned by the Production Manager. The Audio Engineer reports to the Lighting and A/V Supervisor and the Production Manager. 

Candidates should have detailed knowledge of the following:

• Audio signal flow, troubleshooting and audio equipment repair 
• Current audio technology, specifically wireless microphone setup/operation, com systems, QLab, and digital mixing (ETC uses a Allen and Heath SQ5 mixer)
• Safe rigging practices

Job requirements include: 

• Attending production meetings
• Reading and interpreting designer drawings and communications regarding the sound design.
• Leading load-in and strike of all audio equipment, including speakers, microphones, monitors, and band set-up.
• Serving as primary audio engineer and board operator during tech and previews with the expectation of working evenings and weekends. 
  • Live-mixing band and vocals for a full-scale musical production
  • In collaboration with the sound designer, program all recorded tracks and effects in QLab.
  • Supervising sound check prior to each rehearsal and performance.
• Running and maintaining sound design after show opening, including mixing, troubleshooting, speaker check, and maintenance and repair of equipment
• Maintaining a clean and orderly working environment.
• Working in a safe, efficient, and organized manner

Please send letter of interest and resume to productionjobs@etcsb.org

Over-Hire Scenic Carpenter

Part Time/ show by show basis.

Hours are scheduled on an as- needed basis with no set schedule or guarantees with potential overtime

Pay: $17-$25 BOE

Scenic carpenters are part of a team that work in a creative space to make the set designers idea come to life. This position often carries over to load in the crew when it comes time to install the set you just helped build. The Ensemble Theater Company Scene Shop is off site therefore, carpenters must be able to travel from the shop in Goleta to the stage space in Santa Barbara. Carpenters report to the Technical Director and the Production Manager. You must know and be capable of the following:

• Tool Usage
  • Table saw
  • Chop saw
  • Metal chop saw
  • Circular saw
  • Jig saw
  • Oscillator
  • sawzall
  • Drills/Impact Drivers
  • Pneumatic nail gun
  • Belt Sander
  • Grinders
  • Adhesives/Fasteners
  • Wrenches
• Carpenters must know the basics of theater set construction
• Know the true dimension of lumber and how to account for it in cuts and builds.
• Can read/produce cut lists, and interpret working drawings.
• Must be able to lift more than 75 lbs ( that is the average weight of a full sheet of ¾ plywood.)
• Must have a general understanding of structural integrity in regards to framing of platforms and walls.
• Must be able to work in a fast paced environment and take action from orders quickly.
• Must be comfortable with climbing ladders and riding in lift baskets over 20 feet tall.
• Must be comfortable with tight spaces (ex. Going under a platform, or between walls.)
• MUST be willing and able to ask for clarifying questions and explanations.

Please send letter of interest and resume to productionjobs@etcsb.org

Part Time/ show by show basis,

Hours are scheduled on an as- needed basis with no set schedule or guarantees with potential overtime

Pay: $17-$25 BOE

——————————————————————————————————————

Scenic Welders are part of a team that work in a creative space to make the set designers idea come to life. This position often carries over to load in the crew when it comes time to install the set you just helped build. The Ensemble Theater Company Scene Shop is off site therefore, Welders must be able to travel from the shop in goleta to the stage space in Santa Barbara. Welders report to the Technical Director and the Production Manager. You must know and be capable of the following:

• Tool Usage
  • Mig Welding 125-220
  • Aluminum welding (not required)
  • Oxy acetylene (not required)
  • ARC welding (not required)
  • Table saw
  • Chop saw
  • Metal chop saw
  • portaband
  • Sawzall
  • Drills/Impact Drivers
  • Pneumatic Staplers/nail guns
  • Belt Sander
  • Grinders
  • Adhesives/Fasteners
• Welders Must know how to change the gas tank and wire wheel on a mig welder.
• Must know how to clean metal and prep the space to begin welding.
• Must follow proper ventilation and light protection guidelines.
• Welders must know the basics of theater set construction
• Can read/produce cut lists, and interpret working drawings.
• Must have a general understanding of structural integrity in regards to framing of platforms and walls
• Must be able to work in a fast paced environment and take action from orders quickly.
• Must be comfortable with climbing ladders and riding in lift baskets over 20 feet tall.
• Must be comfortable with tight spaces (ex. Going under a platform, or between walls.)
• MUST be willing and able to ask for clarifying questions and explanations.

Please send letter of interest and resume to productionjobs@etcsb.org 

Part Time/ show by show basis.

Hours are scheduled on an as- needed basis with no set schedule or guarantees with potential overtime

Pay: $15-$20 BOE

Wardrobe Run Crew is part of a team that works in a creative space to make the costume designer’s idea come to life. This position assists actors with any dressing or quick change needs and  assists the wardrobe supervisor with laundry, repairs and organization. You Must be capable of the following:

•  Assist actors with quick changes
• Track costume pieces throughout show
• Make sure all appropriate undergarments and costumes are available to actors before half hour
• If needed, preset costumes in correct areas
• Assist with wigs, hair, or makeup if needed
• Costume maintenance and repair
• Iron and steam costumes according to care instructions
•  Laundry according to care instructions and equity standards
• Possible sewing skills needed either by machine or hand

Please send letter of interest and resume to productionjobs@etcsb.org

Over-Hire Electricians

Part Time/show by show basis.

Hours are scheduled on an as-needed basis with no set schedule or guarantees with potential overtime.

Pay:$17-$25 BOE

Theatrical electricians are part of a team that work in a creative space to make the lighting designer’s ideas come to life. Electricians are responsible for the safe installation of lighting equipment and execution of the lighting design under the guidance of the Lighting and A/V Supervisor and ETC Production Team. Overhire Lighting Technicians will service ETC’s theater space at The New Vic for load-ins, changeovers, focus calls, strikes, notes calls and maintenance calls. Some work maintenance and wiring work may also occur at ETC’s scene shop.

JOB DUTIES:

• Participating in the preparation of shows. Includes preparing required equipment, organization of color, templates, and other consumables as well as the wiring of practicals and effects.
• Participate in loading in the light plot. Includes hanging lights, running power and data cable, and installing lighting accessories.
• Participating in the maintenance of lighting department equipment and facilities as assigned: including (but not limited to) theatrical lighting instrumentation, practical electrical properties, backstage running lights, projection equipment, atmospherics, effects devices, cue lights and tech tables.
• Maintaining cleanliness and promoting a safe working environment in all Lighting areas in the theater: Production Office, control booth, dimmer room, grid, catwalks, work areas, and storage spaces.
• Act in concert with the theater’s safety policies, including adherence to the Ensemble Theatre Company’s current COVID-19 Safety Plan.
• Additional related duties as assigned by Lighting and A/V Supervisor or other Production Staff.

In addition to the duties listed above, Ensemble Theatre Company expects the following of each employee:  adheres to theater’s policies and procedures; works in a safe manner; performs duties as workload necessitates; maintains a positive and respectful attitude; communicates regularly with supervisor about department issues; demonstrates efficient time management and prioritizes workload; and demonstrates regular and consistent attendance and punctuality.

REQUIREMENTS (SKILLS and KNOWLEDGE):

• Familiarity and working knowledge of current lighting instruments and equipment.
• Ability to read and understand common drawings and paperwork used in theatrical lighting installations.
• Ability to work in a fast-paced, energized and quickly changing environment.
• Excellent organizational and interpersonal skills with a proven ability to work independently and as a team player.

PHYSICAL REQUIREMENTS/WORKING CONDITIONS:

• Prolonged periods of standing, ladder work and work on Personnel Lifts.
• Ability to work at heights of up to 50 feet, in cramped spaces and otherwise limiting job sites.
• Ability to regularly move and lift 30-50 lbs.
• Typical hours are during the day, but the position requires the flexibility to be available for weekend and evening work hours as needed. 

Please send letter of interest and resume to productionjobs@etcsb.org

Light Board Operator

Part Time/show by show basis.

Hours are scheduled in accordance with the rehearsal and performance calendars with potential overtime.

Pay: $17-$20 BOE

The light board operator (lights op) is part of a team that works in a creative space to make the lighting designer’s ideas come to life. Under the direction of the Stage Manager, the lights op is responsible for running the lighting console during performances and performing all necessary pre-show checks and post-show resets for the lighting design.

JOB DUTIES:

• Attending technical rehearsals and run-throughs as assigned by the Lighting and A/V Supervisor.
• Attending dress rehearsal and previews to train in running the show.
• Performing daily dimmer/focus checks to maintain the lighting design during the run of the show- correcting any focus problems, changing lamps or burned gel as needed and referring any other problems to the Lighting and A/V Supervisor.
• In accordance with the Stage Manager’s direction, run the lighting console during all performances of the show run.
• Properly shut down the lighting system and reset any lighting effects at the end of each performance.

In addition to the duties listed above, Ensemble Theatre Company expects the following of each employee: adheres to theater’s policies and procedures; works in a safe manner; performs duties as workload necessitates; maintains a positive and respectful attitude; communicates regularly with supervisor about department issues; demonstrates efficient time management and prioritizes workload; and demonstrates regular and consistent attendance and punctuality.

REQUIREMENTS (SKILLS and KNOWLEDGE):

• Familiarity and working knowledge of current lighting instruments and equipment.
• Ability to read and understand common drawings and paperwork used in theatrical lighting installations.
• Have a general understanding of the functions of ETC EOS Family Consoles and be able to independently troubleshoot and correct common theatrical lighting problems in an efficient manner.
• Ability to work in a fast-paced, energized and quickly changing environment.
• Excellent organizational and interpersonal skills with a proven ability to follow directions and work as a team player.

PHYSICAL REQUIREMENTS/WORKING CONDITIONS:

• Ability to work on ladders and work on Personnel Lifts.
• Ability to work at heights of up to 50 feet, in cramped spaces and otherwise limiting job sites.
• Ability to occasionally move and lift 30-50 lbs.
• Typical hours are afternoons and evenings on both weekdays and weekends, with some morning availability required for occasional rehearsals and student matinees.

Please send letter of interest and resume to productionjobs@etcsb.org

Sound Board Operator

Part Time/show by show basis.

Hours are scheduled in accordance with the rehearsal and performance calendars with potential overtime.

Pay: $17-$20 BOE

The sound board operator (sound op) is part of a team that works in a creative space to make the sound designer’s ideas come to life. Under the direction of the Stage Manager, the sound op is responsible for running the sound board and Q-lab during performances and performing all necessary pre-show checks and post-show resets for the sound design.

JOB DUTIES:

• Attending technical rehearsals and run-throughs as assigned by the Lighting and A/V Supervisor and Audio Engineer
• Attending dress rehearsal and previews to train in running the show.
• Performing daily speaker checks to maintain the sound design during the run of the show- correcting any audio issues as needed and referring any other problems to the Lighting and A/V Supervisor.
• In accordance with the Stage Manager’s direction, run the sound board and Q-lab during all performances of the show run.
• Properly shut down the sound system at the end of each performance.

In addition to the duties listed above, Ensemble Theatre Company expects the following of each employee: adheres to theater’s policies and procedures; works in a safe manner; performs duties as workload necessitates; maintains a positive and respectful attitude; communicates regularly with supervisor about department issues; demonstrates efficient time management and prioritizes workload; and demonstrates regular and consistent attendance and punctuality.

REQUIREMENTS (SKILLS and KNOWLEDGE):

• Familiarity and working knowledge of current sound equipment.
• Have a general understanding of the functions of Mac OS and Allen Heath sound board and be able to independently troubleshoot and correct common theatrical sound problems in an efficient manner.
• Ability to work in a fast-paced, energized and quickly changing environment.
• Excellent organizational and interpersonal skills with a proven ability to follow directions and work as a team player.

PHYSICAL REQUIREMENTS/WORKING CONDITIONS:

• Ability to work on ladders and work on Personnel Lifts.
• Ability to work at heights of up to 50 feet.
• Ability to occasionally move and lift 30-50 lbs.
• Typical hours are afternoons and evenings on both weekdays and weekends, with some morning availability required for occasional rehearsals and student matinees.

Please send letter of interest and resume to productionjobs@etcsb.org